In the mid-1800s, virtuoso piano writing is often characterized by what they did best. Kalkbrenner was his eighth, to overcome the technical Liszt known.

But Chopin was known known for his uncanny ability to imitate the human voice with the piano.

In fact, one of his favorite composers Bellini for his beautiful melodies were shaped perfectly known. As Chopin really only liked Bach and Mozart, the fact is high praise from Bellini.

In reality, ChopinMusic> how the work is almost always focused on melody eerie beauty, even if there is a fireworks too strenuous. A comparison between Liszt and Chopin, for example, shows that Chopin is contrapuntal, with different parts carefully arranged to work, while Liszt's music is often from a single line with a little support beyond that even the basic voice counterpoint foreground.

Chopin uses his counter melodies, the internal parts, supportthe melody in a way, his knowledge and his deep love for Bach shows. Few other composers to waste time as much attention to almost inaudible internals, Chopin disturbed, but it has so carefully, lovingly sculpt each element up to the sum into a living breathing.

Schumann was similar in its attention to internal parts, but the overall effect as natural as breathing rarely elegant phrasing of Chopin, though the music of Schumann was always thoughtsame heart.

How about with Chopin's life was over, and knew that he died for many years, his songs have been twisted, tortured and dark. Gone was the brilliant shine and the childlike enthusiasm of his early works, which ripen from a thoughtful, that a romance has replaced thin lining from acid.

In fact, there is a vein of anger in his last works, as if he reproaches his companions do not share his premature departure.

Imagine what weHe felt that was Chopin lived another thirty years!

By John Aschenbrenner Copyright 2008 Walden Pond Press All Rights Reserved

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